Heather Bain
Susan Bonthron
Amy Borezo
Patty Bruce
Carolee Campbell
Rebecca Chamlee
Susan Collard
Coleen Curry
Cathy DeForest
Anna Embree
Ethan Ensign
Mark Esser
Don Etherington
Samuel Feinstein
Erin Fletcher
Madelyn Garrett
Ken Gilbert
Karen Hanmer
Monica Holtsclaw
Deborah Howe
Peggy Johnston
Jamie Kamph
Ellen Knudson
Rebecca Koch
Jill Krase
Alison Kuller
Monique Lallier
Sammy Lee
Amy LeePard
Carolyn Leigh
Sue Huggins Leopard
Christopher McAfee
Suzanne Moore
Hanne Niederhausen
Jeff Nilan
Claire Owen
Jan Owen
Graham Patten
Jana Pullman
Veda and Meda Rives
Suzanne Sawyer
Susan Share
CB Sherlock
Stanley Sherman
Priscilla Spitler
Emily Tipps
Jonathan Tremblay
Claire VanVliet
Tom Virgin
Robert Walp
Thomas Parker Williams
Wendy Withrow
Rutherford Witthus

Don Etherington
Summerfield, North Carolina

Don Etherington is the Director of the Book Conservation Program at the American Academy of Bookbinding. Nationally and internationally recognized for innovative design and implementation of state-of-the-art conservation procedures, including phased preservation programs for libraries and institutions, Don brings over 60 years of professional experience to the AAB. After extensive training in England, he established a four-year program in bookbinding and design at Southampton College of Art and has conducted workshops and seminars for colleges, universities, and the Guild of Bookworkers. President of the Etherington Conservation Services in Greensboro, N.C., Don also holds the position of Fellow in both the American Institute for Conservation and the International Institute for Conservation. Other professional affiliations include the Guild of Bookworkers (Past chairman, Standards Committee); Accredited Fellow, Institute of Paper Conservation in England; and member of the American Library Association.

Website: donetheringtonfinebinding.com

Don Etherington

Functional Developments in Bookbinding, 2011

In the spirit of “Horizon,” this book illustrates and discusses the development of 18th century bindings. Graham Pollard also writes about changes in styles of bookbinding from 1550-1830. Full brown goatskin with insets lined with burgundy leather. Panels are archival copies covered with sanded polyester film. Gold and blind tooling.

Dimensions: 10 x 8 x 1 inches, 25.5 x 20.5 x 2.5 centimeters

Leather, paper, polyester film.