| HORIZON 
Heather BainSusan Bonthron
 Amy Borezo
 Patty Bruce
 Carolee Campbell
 Rebecca Chamlee
 Susan Collard
 Coleen Curry
 Cathy DeForest
 Anna Embree
 Ethan Ensign
 Mark Esser
 Don Etherington
 Samuel Feinstein
 Erin Fletcher
 Madelyn Garrett
 Ken Gilbert
 Karen Hanmer
 Monica Holtsclaw
 Deborah Howe
 Peggy Johnston
 Jamie Kamph
 Ellen Knudson
 Rebecca Koch
 Jill Krase
 Alison Kuller
 Monique Lallier
 Sammy Lee
 Amy LeePard
 Carolyn Leigh
 Sue Huggins Leopard
 Christopher McAfee
 Suzanne Moore
 Hanne Niederhausen
 Jeff Nilan
 Claire Owen
 Jan Owen
 Graham Patten
 Jana Pullman
 Veda and Meda Rives
 Suzanne Sawyer
 Susan Share
 CB Sherlock
 Stanley Sherman
 Priscilla Spitler
 Emily Tipps
 Jonathan Tremblay
 Claire VanVliet
 Tom Virgin
 Robert Walp
 Thomas Parker Williams
 Wendy Withrow
 Rutherford Witthus
 
Home
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Guild of Book Workers
 
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| Don Etherington
Summerfield, North Carolina
 
Don Etherington is the Director of the Book Conservation Program at the American Academy of Bookbinding. Nationally and internationally recognized for innovative design and implementation of state-of-the-art conservation procedures, including phased preservation programs for libraries and institutions, Don brings over 60 years of professional experience to the AAB. After extensive training in England, he established a four-year program in bookbinding and design at Southampton College of Art and has conducted workshops and seminars for colleges, universities, and the Guild of Bookworkers. President of the Etherington Conservation Services in Greensboro, N.C., Don also holds the position of Fellow in both the American Institute for Conservation and the International Institute for Conservation. Other professional affiliations include the Guild of Bookworkers (Past chairman, Standards Committee); Accredited Fellow, Institute of Paper Conservation in England; and member of the American Library Association.
 Website: donetheringtonfinebinding.com
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| Functional Developments in Bookbinding, 2011 
In the spirit of “Horizon,” this book illustrates and discusses the development of 18th century bindings. Graham Pollard also writes about changes in styles of bookbinding from 1550-1830. Full brown goatskin with insets lined with burgundy leather. Panels are archival copies covered with sanded polyester film. Gold and blind tooling. 
 Dimensions: 10 x 8 x 1 inches, 25.5 x 20.5 x 2.5 centimeters
 
 Leather, paper, polyester film.
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