| HORIZON 
Heather BainSusan Bonthron
 Amy Borezo
 Patty Bruce
 Carolee Campbell
 Rebecca Chamlee
 Susan Collard
 Coleen Curry
 Cathy DeForest
 Anna Embree
 Ethan Ensign
 Mark Esser
 Don Etherington
 Samuel Feinstein
 Erin Fletcher
 Madelyn Garrett
 Ken Gilbert
 Karen Hanmer
 Monica Holtsclaw
 Deborah Howe
 Peggy Johnston
 Jamie Kamph
 Ellen Knudson
 Rebecca Koch
 Jill Krase
 Alison Kuller
 Monique Lallier
 Sammy Lee
 Amy LeePard
 Carolyn Leigh
 Sue Huggins Leopard
 Christopher McAfee
 Suzanne Moore
 Hanne Niederhausen
 Jeff Nilan
 Claire Owen
 Jan Owen
 Graham Patten
 Jana Pullman
 Veda and Meda Rives
 Suzanne Sawyer
 Susan Share
 CB Sherlock
 Stanley Sherman
 Priscilla Spitler
 Emily Tipps
 Jonathan Tremblay
 Claire VanVliet
 Tom Virgin
 Robert Walp
 Thomas Parker Williams
 Wendy Withrow
 Rutherford Witthus
 
Home
 Introduction
 Exhibition Schedule
 Curator's Statement
 Jurors' Remarks
 Donors
 Catalog Order
 Contact
 
 
Guild of Book Workers
 
 |  | 
| 
← 
home 
→
 |  
| Erin Fletcher
Allston, Massachusetts
 
I was first introduced to the craft of bookbinding while obtaining my BFA at The School of the Art Institute of Chicago. Experimenting with structures of the book as a conceptual platform for art created a desire to extend my knowledge of the craft. Upon graduating from North Bennet Street School, I was able to fine tune my hand skills and focus on the traditional craft of bookbinding. I greatly appreciate the foundations of bookbinding and I strive to weave in contemporary practices while keeping true to the craft in order to create a unique bookbinding style. 
 Website: herringbonebindery.com
 |  
|     |  
| A Romance of Many Dimensions by Edwin A. Abbott , 2012 
Abbott's novella is an observation on the social hierarchy of Victorian culture set in a fictional two-dimensional world known as Flatland, whose denizens are geometric figures. This defines their place in the social ladder, where women are depicted as lowly lines. We are guided through the text by a Square who dreams of other dimensions and challenges the authority of the high class Circle. As you move around the book, a sphere begins to emerge from the cover, illustrating the Square's discovery of the third dimension. I aimed to challenge the “horizon” of a book cover by exploring three-dimensional possibilities. 
 Dimensions: 8 x 5.5 x 1.25 inches, 20.5 x 14 x 3 centimeters
 
 White buffalo with onlays in goat and buffalo, dome shaped from lens and basswood, palladium tooling and edge gilding, white buffalo edge-to-edge doublures with white suede flyleaf, pop-up endpaper made from Mohawk superfine white paper.
 |  
| 
← 
home 
→
 |  |  |