Cathy Adelman
Jody Alexander
Eric Alstrom
Jeffrey Altepeter
Alicia Bailey
Kristin Alana Baum
Marlyn Bonaventure
Susan Collard
Melissa Jay Craig
Coleen Curry
Lesa Dowd
David Esslemont
Don Etherington
Madelyn Garrett
Stephanie Gibbs
Donald Glaister
Karen Hanmer
Roberta Hilbrandt
Deborah Howe
Andrew Huot
Jamie Kamph
Ellen Knudson
Deborah Kogan
Dorothy Simpson Krause
Monique Lallier
Amy LeePard
Sue Huggins Leopard
Emily Martin
Chela Metzger
Bonnie Thompson Norman
Bridget O’Malley
Todd Pattison
Jana Pullman
James Reid-Cunningham
Claire Jeanine Satin
Wilber "Chip" Schilling
Genie Shenk
Sarah Smith
Priscilla Spitler
Jessica Spring
Kathy Strother
Richard Troncone
Gerritt VanDerwerker
Peter D. Verheyen
Laura Wait
Shu-Ju Wang
Ellen Wiener
Rutherford Witthus
Stephanie Wolff
Pamela Wood

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James Reid-Cunningham
Cambridge, Massachusetts

[perimeter fence]

[perimeter fence] is a photographic essay exploring duration and continuity in the surface patterns of anonymous urban landscapes over the course of a single day. The volume was designed in 2003 with QuarkXPress and printed on an Epson 760 ink-jet printer. The typeface is Skia. Published in loose sheets, each copy has a unique binding. This copy is sewn in a long stitch through a kid vellum spine, incorporating bent brass rods as stiffeners. It features a double board binding with circular onlays of varied leathers on both the exterior and on the interior. 1.5 x 1.25 x 0.25 inches, 4 x 3 x 0.5 centimeters. Created 2007.

James Reid-Cunningham studied bookbinding at the North Bennet Street School in Boston and is the president of the Guild of Book Workers. Formerly the conservator of the Graduate School of Design at Harvard University, he is currently the chief conservator of the Boston Athenaeum. In 2006 he received the Distinguished Alumni Award from the North Bennet Street School. He is the adjunct lecturer in the History, Technology and Conservation of the Book in the Art Conservation Department at Buffalo State College. He has taught bookbinding and conservation workshops for the Paper and Book Intensive, the Garage Annex School for Book Arts, the North Bennet Street School, the Weissman Preservation Center at Harvard University, the Kilgarlin Center for the Preservation of the Cultural Record at the University of Texas at Austin, and the San Francisco Center for the Book. He is the creator of design bindings and book art that explore traditional bookbinding structures in conjunction with modern materials. He has exhibited his books nationally and internationally. He is the proprietor of Hematite Press, publishing limited editions of modern texts, with each copy in an original design binding. Website at